2007 Growth - Frame 0747
digitally constructed animated 3D model
digital chromogenic print
image size, 74 x 44 inches, edition 1
2007 Growth - Frame 1770
digitally constructed animated 3D model
digital chromogenic print
image size, 74 x 44 inches, edition 1
2007 Growth - Frame 2309
digitally constructed animated 3D model
digital chromogenic print
image size, 74 x 44 inches, edition 1
In his newest work, Keith Cottingham explores the hidden, unreal, and unseen, bringing vision and motion to things beyond our literal point of view.
This series includes three large-scale digital animations with soundscapes, and related photographs. The animations feature the successive movement and interaction of diverse forms – a boat, plants, beams, an architecture space. They depict violent moments – collisions and implosions – and lyrical passages of dissolves, in slow motion, real time, and at high velocity. Glimpses of light illuminate darkness. Hypnotic and emotionally powerful, the animations and their rhythms emulate the breath of life. The photographs are stills from the animations, frozen moments that show their sequence.
Cottingham simulates the material world, but does not represent it. He establishes a tension between the “look” of reality, derived from the authority of the photographic image and the animations’ invented, surreal content.
2007 Growth - Frame 2517
digitally constructed animated 3D model
digital chromogenic print
image size, 74 x 44 inches, edition 1
In his newest work, Keith Cottingham explores the hidden, unreal, and unseen, bringing vision and motion to things beyond our literal point of view.
This series includes three large-scale digital animations with soundscapes, and related photographs. The animations feature the successive movement and interaction of diverse forms – a boat, plants, beams, an architecture space. They depict violent moments – collisions and implosions – and lyrical passages of dissolves, in slow motion, real time, and at high velocity. Glimpses of light illuminate darkness. Hypnotic and emotionally powerful, the animations and their rhythms emulate the breath of life. The photographs are stills from the animations, frozen moments that show their sequence.
Cottingham simulates the material world, but does not represent it. He establishes a tension between the “look” of reality, derived from the authority of the photographic image and the animations’ invented, surreal content.
2007 Growth - Frame 2735
digitally constructed animated 3D model
digital chromogenic print
image size, 74 x 44 inches, edition 1
In his newest work, Keith Cottingham explores the hidden, unreal, and unseen, bringing vision and motion to things beyond our literal point of view.
This series includes three large-scale digital animations with soundscapes, and related photographs. The animations feature the successive movement and interaction of diverse forms – a boat, plants, beams, an architecture space. They depict violent moments – collisions and implosions – and lyrical passages of dissolves, in slow motion, real time, and at high velocity. Glimpses of light illuminate darkness. Hypnotic and emotionally powerful, the animations and their rhythms emulate the breath of life. The photographs are stills from the animations, frozen moments that show their sequence.
Cottingham simulates the material world, but does not represent it. He establishes a tension between the “look” of reality, derived from the authority of the photographic image and the animations’ invented, surreal content.
2007 Growth - Frame 3002
digitally constructed animated 3D model
digital chromogenic print
image size, 74 x 44 inches, edition 1
In his newest work, Keith Cottingham explores the hidden, unreal, and unseen, bringing vision and motion to things beyond our literal point of view.
This series includes three large-scale digital animations with soundscapes, and related photographs. The animations feature the successive movement and interaction of diverse forms – a boat, plants, beams, an architecture space. They depict violent moments – collisions and implosions – and lyrical passages of dissolves, in slow motion, real time, and at high velocity. Glimpses of light illuminate darkness. Hypnotic and emotionally powerful, the animations and their rhythms emulate the breath of life. The photographs are stills from the animations, frozen moments that show their sequence.
Cottingham simulates the material world, but does not represent it. He establishes a tension between the “look” of reality, derived from the authority of the photographic image and the animations’ invented, surreal content.